August 2020

New to Me

Kaleema — Nómada (2017) Highly recommended!

Hypnotic, seductive, dangerous. I love records that defy a genre label and I think Nómada is a great example of that; it has humid percussion, dreamy strings and a fuzzy echo of South American folk music, all lurking under the electronic pulse of house? downtempo? pop?

As a bonus, check out the killer playlist Heidi maintains: El Futuro es Feminino

Waldo's Gift — Improvisations (2019) Highly recommended!

A spacey, free-form jazz trio exploration. The rhythm section is assertive, with complex basslines sitting high in the mix and rangy, kitchen sink percussion holding things together. Over top of this floats Alun Elliot-Williams' guitar, with an almost post-rock sound, more textural, wandering and searching. An A+ recommendation for fans of small combos like The Bad Plus or more propulsive groups like The Comet is Coming.

Sophie Hutchings — Yonder (2017)

Yonder is like a quiet evening with close friends. It's warm and engaging, and when it's over you're surprised how the time has slid past so smoothly. Sophie Hutchings' piano compositions are simple, but not minimalist, and show off a great sense of feel and timing. It's good relaxation music but has a rewarding depth there for more active listeners.

Eli Keszler — Empire (2019)

A fascinating EP from avant-garde percussionist Eli Keszler. Trust me: this one is more accessible than "avant-garde percussionist" makes it sound! I imagine it as the soundtrack for a noir flick set on a space station in the year 2300.

Karavan (Lefto & Free the Robots) — Karavan (2017)

Top tier instrumental hip-hop production, with cinematic samples, a jazzy sensibility and funky head-nod turned up to 110%.

Richard Spaven — Real Time (2018)

Real Time shows off Spaven's drum-machine precision on the kit, but the dripping soul chords and frequent collaborations with Jordan Rakei effectively soften the edges. The velvety Busta Rhymes cover, Show Me What You Got, is the highlight for me on this one.